Wednesday, 16 May 2007
Tootsie; romantic comedy, USA, 1982; D: Sydney Pollack, S: Dustin Hoffman, Jessica Lange, Teri Garr, Dabney Coleman, Bill Murray, Charles Durning, Sydney Pollack, Geena Davis
New York. Michael Dorsey is an unemployed actor who had "creative differences" with almost everyone in the entertainment industry. He escorts his friend Sandy to an audition for a TV soap opera about a hospital, but when she doesn't get the role he takes desperate measures and cross-dresses as a woman, Dorothy Michaels - and gets the role himself! In order to gain enough money for a play for his friend Jeff, Michael plays the role of a woman very well, observing the chauvinistic director Ron and eventually falling in love with the actress Julie. When things get to complicated, Michael de-masks himself in front of everyone on a live broadcast.
One of the best comedies of all time, "Tootsie" is a small masterpiece where every questionable or problematic ingredient turned out to be just right in the end - the story has some flaws, but basically everything here is done just the way it should be: the movie is as hilarious as one light "guilty pleasure" comedy, but as intelligent as an art film - at the same time it's never stiff as an art film, but always elegant and touching as a drama - and at the same time it's never preachy or sappy when becoming emotional. Winner of 3 Golden Globes (best motion picture - musical or comedy, actor in a musical or comedy Dustin Hoffman, supporting actress Jessica Lange), 2 BAFTAs (best actor Dustin Hoffman, make up) and one Oscar out of 10 nominations (best supporting actress Jessica Lange), this charmingly brilliant classic operates on a high comic level and belongs in the ontology of comedy: despite numerous gags the story is still dominated by humanity of its characters, whereas Dustin Hoffman as a woman turned out to be a perfect being.
In one scene when Michael, dressed up as Dorothy, auditions for the role in the TV series and makes a fuss when "she" gets refused by the director, a woman producer asks her if she was just acting when she said that or if she was natural, upon which Dorothy responds with: "Which answer will get me the job?". The sequence of the final live broadcasting of the TV soap opera, where Dorothy starts completely improvising random lines in order to finally reveal that "she" is actually a man ("God save us, you do understand, don't you, Dr. Brewster?" - "...I never laid a hand on her" - "Yes, you did. And she was shunned by all you nurses, too!"; "I am Edward Kimberly! Edward Kimberly! And I am not mentally ill! Edward Kimberly, and I was strong enough to be a woman, which was the best part of my manhood!") is absolutely unbelievable and has to be seen to be believed, as if it was written by Wilder. Hoffman simply brings down the house with this role, whereas numerous other comic talents all give great little supporting roles, from Bill Murray up to the energetic Teri Garr. The jokes and observations abut the differences between women and men were never so gentle, poignant and psychologically deep. Even if you hate everyone from the crew on this film, you just have to give them credit for "Tootsie": almost every dialogue is a classic. A shining achievement.