Thursday, July 13, 2017
Somewhere in the Atlantic Ocean, an underwater station is performing mining of metals at the bottom of the sea. The station is led by Steven Beck, and consists out of seven crew members, including Elizabeth, Dr. Thompson and Jones. One day, the find a sunk ship, Leviathan, with a safe containing some files and vodka. When one crew member, Sixpack, drinks the vodka, he becomes sick and dies, while an unknown creature mutates inside of him. It seems that the sunken ship may have experimented with mutagens. The monster spreads and kills one crew members after another. Beck calls the company to pick them up, but a hurricane is preventing any rescue. Finally, Beck, Elizabeth and Jones manage to flee into the sea and escape to the surface. The monster attacks them, but Beck kills it with a bomb, while a helicopter saves them.
"Leviathan" is a solid amalgamation of such horror films as "Alien" and "The Thing", yet it offers overall too little to deliver anything new, creative or original in the already tried out subgenre of a monster chasing a crew sealed off inside a limited location. Appearing in a year that was marked by underwater Sci-Fi films, most notably "The Abyss", "Leviathan" finds its own way, yet it is too standard and conventional, lacking real highlights that would justify its predictable formula. The characters are one-dimensional and bland, rarely managing to live it up and show some life, humor or wit: one such example is when Steven Beck gets angry at Sixpack and says: "And Sixpack, if you call me Becky one more time I'm going to pop your tops, all six of them." There is also one good scare moment that actually used some sophistication: it is when the camera zooms out only to a shadow of the monster on the wall, whose shape is still unknown to the viewers. More of such moments in the film would have been welcomed. Sadly, it takes too long for the monster to show up, and once it does, it is bound by too fast cuts that are so erratic that the viewers are sometimes confused as to what is going on in a single scene. That is probably because the monster is a puppet operated underneath, and in order to conceal that we never get a full wide shot of it, but just frenzy glimpses of its head or claws, which is disorienting. A simple, normal editing with a clear establishment of where the monster is and where it is going would have been far better. Even the finale is routine and lacks some freshness. Still, the set designs are very good, whereas the film features one of the greatest posters of the 80s, a one that promises more than the film actually delivers.