Monday, May 22, 2017
The Thomas Crown Affair
New York. Several robbers infiltrate the Metropolitan Museum of Art disguised as employees of the museum, but are recognized and the staff sounds the alarm. In all the commotion, millionaire Thomas Crown slips into the gallery and swiftly steals a painting by Monet, smuggling in into his briefcase and exits as all the attention of the police is focused on the arrested imposters. NYPD Detective McCann has no clue as to who stole the Monet painting, until investigator Catherine Banning is brought on the case. She suspects it was Thomas and thus proceeds to seduce him. He brings her with a plane to a Caribbean island where they make love. Back in New York, the police are on Thomas' trail. Thomas returns the painting and implores Catherine to escape with him from the country. She boards a plane and suspects it is empty, but then finds out Thomas is there waiting for her.
Contrary to all the expectations, John McTiernan's highly competent "The Thomas Crown Affair" is one rare example where a remake is equally as good as the original, delivering a refreshingly elegant, smooth and stylish heist story, but even adding an emotional-romantic dimension to it, since it is implied that the title protagonist was unstable since he could not find the real woman he loves, until he found the investigator who follows him, which also gave a sly excuse for the star of the original film, Faye Dunaway, to deliver a worthy cameo in the frame story of Thomas talking to his psychotherapist. The sequence of the robbery at the museum is just plain clever (Catherine observes the heat-detector surveillance footage of the gallery from which the painting was stolen, yet the video consists just out of "white", blank screen since someone raised the temperature in the room so much that it was equal to the human body temperature, thereby rending it useless since the two cannot be differentiated anymore), the humor between the main protagonists is wonderful (after taking her from New York with a plane for an excursion, Thomas returns Catherine in another plane, yet when she spots a green, tropical island, she laments: "That island isn't Manhattan"), the romantic subplot is surprisingly touching whereas Pierce Brosnan and Rene Russo have great 'chemistry', and the authors do not shy away from their sex scene. Maybe the ending is a little bit too happy for Hollywood standards, and maybe the movie does indeed rely too much on fantastic cinematography instead giving more room for the story and character development, yet it all works nicely, whereas Denis Leary has a delicious little role as the cynical NYPD Detective.