Saturday, April 28, 2007
Judah Ben-Hur is a rich merchant in Jerusalem at the beginning of the 1st century. He is disappointed that his old friend Messala, who became a commanding officer of the Roman legions, changed and now thinks Judea should stay under Rome's occupation. When parts from an old roof fall from Ben-Hur's house near the new governor, Messala uses that as an excuse and sets Ben-Hur to the galleys and throws his mother and sister to prison. After 3 years as a galley slave, Ben-Hur survives the sinking of his ship and saves his master Quintus Arrius. The thankful Arrius names him his son, and he returns to Judea. There, with the help of the sheik Ilderin, he wins in a chariot race, while Messala dies in an accident. Ben-Hur then discovers his mother and sister have became lepers, but they are healed when Jesus Christ dies on a cross.
"Ben-Hur", winner of 11 Oscars, 4 Golden Globes and one BAFTA, is a flawed epic with slightly outdated features, but with still enough energy and spark to captivate even today's audience. Surprisingly, it is actually a Jesus Christ story where Jesus is actually a supporting character in the background of the main story, the one about the injustice carried towards Ben-Hur, but in the end it connects with her and naturally gives a positive religious context without being too preachy. It is a four hour long film that demands patience and the first half an hour drags too obviously, but once the story gets going it raises a few interesting points about corruption of power, loyalty and the triumph of love over revenge. And curiously enough, the best, most touching parts are the one involving water: when a thirsty Ben-Hur is walking together with other prisoners in the hot desert, the Roman soldiers stop to drink from a well. The Romans give every prisoner water, except Ben-Hur because Messala exclusively ordered it so. But then a man, whose face is never seen, gives him water too - it is Christ. A Roman soldier spots that and wants to stop him with force, but when Christ looks him directly in the eyes he just stops, enlightened, not having the heart to do anything bad. Wyler directed that scene just right, with care and understated magic, and the result is truly memorable.
Later on, towards the end of the film, Ben-Hur got his revenge on Messala and won, but his life is still empty as before. He meets Balthasar, bends towards a spring and touches the water with his hand, saying: "When the Romans were marching me to the galleys, thirst had nearly killed me. A man gave me water to drink, and I went on living. I should have done better if I'd poured it into the sand!" Balthasar is sad to hear that, and the message is obvious, but the scene still seems powerful. Among the epic Bible films of that time, "Ben-Hur" is too masochistic at some moments in overemphasizing suffering, and the acting is wooden by the '50s standards, but the film offers just enough awe to impress.