Thursday, September 14, 2017
The Jazz Singer
Jackie Rabinowitz wants become a jazz singer, but when he is caught singing in a pub, his strict, orthodox Jewish father forbids him to continue and beats him up, because he wants Jackie to succeed him and become a cantor in a Synagogue. Jackie flees from home and makes great progress as a singer in New York, falling in love with Mary, a stage dancer. Now renamed, Jack returns to his home to see his mother, but is again chased away by hist father. On the premiere of a career defining performance on stage, Jack decides to not show up and instead sing as a cantor in a Synagogue because this was the last wish of his dying father. However, he gets another chance and performs as a singer in a theater.
"The Jazz Singer" signalled a new era of cinema, an era of sound film, yet even though it was a smash hit and the highest grossing movie for almost a decade, it was kind of a cheat: the movie is 20% a sound film and 80% a silent film. It was still an incomplete, semi-sound film where the audio was used only for the singing of the hero and one sequence when he talks with his mother while playing the piano for her, yet the majority of the story is still a silent film, even using intertitles for dialogues of the characters for most of the time. Despite this technical innovation, "The Jazz Singer" remained only a footnote in film lexicons since it feels very dated by today's standards. It is basically a simplistic story of a man torn between following his dream and the tradition of his family, yet it never rises to the occasion, neither in writing nor in execution. This storyline is a dime a dozen, basically almost a soap opera with banal narrative flow, whereas it simply lacks highlights. There is very little to see, stylistically or story-wise, and the long sequences of singing tend to become tiresome and dry. That is why "The Jazz Singer" is today only valuable formally for the cineasts, yet does not hold a special place in the heart of many movie goers.