Friday, September 15, 2017
Rick and Morty (Season 1)
The 14-year old Morty is annoyed by his eccentric grandpa Rick, a scientist who often brings him along on his misadventures, ranging from trips to another dimensions through aliens to problems involving Rick's inventions going out of control. Morty's sister Summer and their parents, Jerry and Beth, whose marriage is on thin ice, also unwillingly get involved into Rick's misadventures.
Justin Roiland's and Mark Harmon's surprise hit animated show is the ultimate example of a mixed bag: episodes 1.3, 1.4 and 1.10 are excellent, but the quality of the rest of the first season is highly uneven, since some are solid, some OK and some outright bad. Aggravating all of this is the fact that even in some bad episodes the authors can still conjure up some incredible examples of wisdom about life, using the most surreal and bizarre grotesque as a metaphor for something in our society. It is almost like 'Sophocles meets "Family Guy"': rarely has there been a show that offers a whole spectrum of quality, ranging from genius to garbage. Episode 1.3 is one of the best, turning into the most black humored Christmas episode in TV history: in it, Rick brings a man dressed as Santa Claus home, but the latter falls into a coma, so Rick shrinks Morty to a size of a microorganism and sends him into the man's body. At the end, Rick simply loses his patience since he cannot find a microscopic Morty, so he takes the naked dead body of the Santa Claus, flies off into space and instead enlarges the man's body ten thousand times, thereby inevitably returning Morty back to his normal size. This results in a Zenith of absurdist humor, rarely seen anywhere, with the expressionistic sight of a giant naked Santa Claus floating in orbit over the whole of America, his toes being spotted in L.A. and his head in New York. Episode 1.10 also rises to the occasion, involving a situation in which Rick is confronted with hundreds of Ricks from hundreds of parallel Universes, which gave a wealth of potentials, ending in a remarkable "hidden" compliment Rick makes to his Morty: "I am the Rick-est of them all, which means you are the Morty-est of all Mortys". Throughout these wacky stories, "Rick and Morty" displays a secret philosophy on life and the Universe, yet it is not always presented in an intelligent way. Episode 1.4 is a sly satire on the 'brain in a vat' argument, but episode 1.7, on the other hand, is a rather lackluster take on sexism: the concept of an alien civilization in which women rule while men are kept as an inferior race does not offer anything new that hasn't already been explored in "He-Man" episode "Trouble in Arcadia", for instance.
Too many episodes focus only on degenerate monster aliens (the above mentioned episode 1.7 has these women having extra hands on their ears (!?)) or shock, and attempt to seize the attention of the viewers more through bizarreness than through some genuine inspiration. Aren't the praying-mantis-human mutants in episode 1.6 pure trash, for instance? Isn't the alternate Universe TV commercial in episode 1.8 of two people eating Leprechaun's intestine pure junk? And yet, just when the viewers dismiss such stuff, the authors suddenly redeem themselves thanks to an unexpected example of genius. Episode 1.6, for instance, is terrible, but has a fantastic beginning and an ending, by presenting Rick who explains to Morty his unrequited love:"Listen Morty, I hate to break it to you, but what people call "love" is just a chemical reaction that compels animals to breed. It hits hard, Morty, then it slowly fades, leaving you stranded in a failing marriage!" Episode 1.8 is also just a random collection of inconceivable, surreal and disturbing TV channels from alternate Universes, but it ends in one of the most inexplicable, genuine, miraculous, virtuoso and beautifully touching endings ever seen, a small gem: throughout the episode, it has been established that Morty's and Summer's dad, Jerry, has never married in an alternate Universe and became a major movie star. At the same time, Beth finds out that without being married to Jerry and not having kids, she could have pursued a great career as a real surgeon in that world. This leads a crisis of their marriage. But at one point, Jerry observes his alternate Jerry driving in underwear on the street on alternate TV. At the same time, Beth is watching her alternate ego through special goggles, living alone in a house with birds. Suddenly, these two realities become one when alternate Jerry stops and knocks on the door of alternate Beth, to announce: "Beth Sanchez, I have been in love with you since high school. I hate acting, I hate fame... I wish you hadn't had that abortion and I never stopped thinking what might have been." Jerry and Beth, back in the real world, then realize that they are living precisely in that 'what if?' Universe, drop everything, reconcile and kiss in the living room. This is a highlight that, although unable to fully compensate for all the questionable content before, is still going to be remembered for a long time.