Starlet; drama, USA, 2012; D: Sean Baker, S: Dree Hemingway, Besedka Johnson, Stella Maeve, James Ransone, Karren Karagulian
Jane lives in a house with Melissa and her boyfriend Mikey. They work as porn actors. One day, after buying a thermos from a certain Sadie (85) who has a yard sale, Jane discover bundles of money inside. She spends thousands of dollars on herself, but then has guilt and decides to meet Sadie better. At first, Sadie is suspicious and evasive, but slowly Jane becomes her friend and they play lottery. Jane lets Sadie watch after her dog. The dog escapes, causes stress for Sadie, but she manages to find him again. Jane buys Sadie a plane ticket for Paris. Melissa informs Sadie that Jane took her money from the thermos. During their ride, Sadie tells Jane to stop at a cemetary to gie flowers to her deceased husband. Jane goes to the cemetary and finds out it also contains a tombstone of Sadie's 18-year old daughter.
Sean Baker's 4th feature length independent film, "Starlet" once again follows his fascination with people living on the margins of society. On the one hand, it shows the isolation and neglect of people at old age, presented through the character of the 85-year old Sadie; on the other, it shows three young people living together in a house, until it is only later on revealed what their profession is—at 53 minutes into the film, the protagonist Jane goes to a film set of a porn to film a sex scene. Highly unusual blend of two extremes—and it is kind of a pity these two social groups never quite interact fully with each other. Baker, as a screenwriter, is not able to write a fully developed storyline, as if he is never interested in his stories any more than just the outline for his social themes. As such, "Starlet" has banal, schematic dialogue—Jane says she wants to re-decorate the room; Jane says to Sadie she wants to be her friend; Melissa says she needs money for her debt... All of this is said just at face value, without much sense for intricate writing or creative prose. The best line is actually said by someone who makes a surprising cameo, real AV actress Asa Akira, who delivers a funny joke that stands out, the one about how it would look like if Captain Hook was fingering someone. Baker strives towards de-glamorization and naturalistic depiction of life as it is, as realistic as possible, and as such creates a 'raw', messy and vital film. The supporting characters of Melissa and Mikey are annoying (especially Mikey who can only be a "pothead" and play video games the entire day), and thus the friendship between Jane and Sadie is the anchor of the film. Remarkably, this is the first and only movie role for Besedka Johnson, here playing Sadie with genuine ease, and it feels a bit sad that she is so underused here. Baker's trademark "surprise ending" here gives Sadie another layer, but isn't as effective as it could have been. She needed more "character build-up scenes". Compare what Nicholson says in the movie "As Good As it Gets" at the dinner sequence, about how he wants to be "a better man", and what Hunt says back to him—in just one sequence, these two lines are so creative they make time stop for the viewers. Is there any dialogue here between Jane and Sadie that ever comes close to that?
Grade:++