Shoah; documentary, France, 1985; D: Claude Lanzmann, S: Richard Glazar, Rudolf Vrba, Raul Hilberg, Filip Müller, Mordechaï Podchlebnik, Simon Srebnik, Jan Karski
Director Claude Lanzmann interviews various witnesses of the Holocaust, including those Jews who survived the said ethnic cleansing of the World War II. Some of the events covered include testimonies from the Auschwitz and Treblinka concentration camps, the Warsaw ghetto and gas vans. The film concludes with the interview of the surviving members of the Jewish Combat Organization, which led the Warsaw ghetto uprising.
One of the most elaborate and all-encompassing documentaries ever made, Claude Lanzmann's "Shoah" is a harrowing collection of memories of the Holocaust, the worst genocide in human history. With a running time of over 9 hours, it is overlong, and yet, one could not name a single episode that could have been cut. This is a movie that transcends time and creates its own frequency of film experience. "Shoah" is both a fascinating and therapeutic experience, interviewing some 30 survivors and witnesses, allowing for their memories to be recorded and remembered in history, but refuses to use archive footage, and instead just films the now empty locations of the crime, including the deserted barbed wire of modern Auschwitz. Lanzmann even uses an inconspicuous secret camera to make a "sneak" recording of German perpetrators, including an interview with Franz Suchomel (who claims he only thought he would be a guard at a workshop, and was shocked when he arrived and found out the Treblinka camp was a place to murder people), Franz Schalling and Walter Stier, which is used to corroborate the crimes, since their testimonies overlap with those of the victims and survivors.
Several stories will remain entrenched in the viewers' memory. In one of them, a Polish man recounts how people would bring water to the Jewish people trapped in trains through the window, and how a woman with a child tried to escape but was shot by a soldier in the heart. A farmer allegedly worked on his field just a 100 yards away from a death camp. Filip Muller, an Auschwitz survivor, recounts an episode where new inmates started singing in defiance, and suddenly stops the interview and collapses crying, remembering how he wanted to die with them back then, since he felt his "life was not worth anything anymore". There is also a fascinating "excursion" into the island of Corfu, to interview the local survivors. In New York, Jan Karski, a Polish resistance member, barely manages to tell his story of how he was smuggled under a tunnel into the Jewish ghetto, struggling to recollect his traumatic "paralyzed" reaction by what he saw, including naked corpses on the ground, Hitler Youth boys roaming and malnourished people. He also adds a comment he heard: "The Allies will win the war. But what good will it do to us? We will not survive this war". "Shoah" is a film of peculiar duality: it is both disturbing and full of tranquility at the same time; both angry and calm; both emotional and distanced; both inhumane and deeply humane; both intimate and objective, dwelling on an intellectual historical analysis of what happened and how to interpret all of these events, without any ideology or secret agenda. A giant monument to victims of the dictatorship, it is a unique and cathartic experience, a true "movie event".
Grade:+++
Sunday, January 26, 2020
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment