Saturday, July 20, 2019

One Hundred and One Dalmatians

One Hundred and One Dalmatians; animated film, USA, 1961; D: Wolfgang Reitherman, Hamilton Luske, Clyde Geronimi, S: Rod Taylor, Cate Bauer, Betty Lou Gerson, Ben Wright, Lisa Davis, Martha Wentworth

London. Pongo is a Dalmatian dog living with his owner, songwriter Roger. In a park, Pongo manages to charm Anita, the owner of another Dalmatian female dog, Perdita. Roger falls in love with Anita, Pongo with Perdita. 15 Dalmatian puppies are bred. However, Anita's schoolmate, Cruella De Vil, intends to make fur coats out of the puppies, and thus sends her henchmen, Jasper and Horace, to kidnap them. With the help of a cat, the puppies, together with another 83 other Dalmatian puppies who were kidnapped previously, escape from Jasper's and Horace's house and flee with Pongo and Perdita. Cruella tries to capture them again, but her car crashes with Jasper's and Horace's. Back in London, Roger and Anita embrace all of the 101 Dalmatians.

By selling over 99,000,000 tickets at the American box office during its premiere and four subsequent re-issues, "101 Dalmatians" is the 2nd most popular Walt Disney animated feature film of the 20th century, though not among their finest achievements. In spite of its charming, lovable characters, its biggest impact was left by the villainess, Cruella De Vil, who was ingrained in collective cinema memory as one of the sleaziest and nastiest antagonists in animation. The start of the film is inspired: the intro is wonderfully creative (dots are used, among other things, as music notes) whereas the opening line has style, with the camera descending from a panorama shot of an apartment building while the protagonist narrates his introduction ("My story begins in London... At that time, I lived with my pet in a flat...") and we see Roger through the window, composing music while his dog lays next to him, only for the viewers to quickly find out that the narrator is not Roger, but actually the dog, Pongo ("Oh, that's my pet, Roger, I'm the one with the spots").

The way Pongo manages to "initiate" contact for his owner, Roger, in the park, is irresistible: the dog uses the leash to "laso" both Roger's and Anita's leg, thereby pushing them closer to each other, in a neat romantic move. The rest of the story is somehow rushed and hasty, never managing to simply slow down for the viewers to enjoy its narrative and absorb what is going on. Out of the 15 Dalmatian puppies, none is that well developed as a character (except for one who is fat, and thus his only personality is that he loves eating), and thus the sympathy for them is restrained, which is really problematic in the finale, when the viewers are suppose to root for them. The last third of the film is just one giant escape and chase sequence, without much ingenuity, leaving a rather standard, though still solid impression. A little more imagination or versatility in the story, revolving around the 15 Dalmatian puppies, would have improved the film, whereas a few sugary Disney moments happen here and there. However, there are still moments that ignite a good chuckle (in one great 'throw away' joke, Roger listens to his song on a radio, revolving around the evil nature of Cruella), which makes "101 Dalmatians" a fun film.

Grade:++

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