Thursday, May 30, 2019

Mother Joan of the Angels

Matka Joanna od Aniołów; psychological drama, Poland, 1961; D: Jerzy Kawalerowicz, S: Mieczyslaw Voit, Lucyna Winnicka, Anna Ciepielewska, Maria Chwalibóg, Kazimierz Fabisiak 

17th century. Catholic priest Jozef Suryn is sent to a secluded covenant to investigate the alleged demonic possessions of some nuns. The local ex-priest, Garniec, fathered two kids and was accused of magic craft, and thus executed by burning. Jozef performs an exorcism on abbess nun Joan, which has only limited effect. Joan tries to seduce him. Jozef visits a Rabbi who questions his religion. Jozef then decides to save Joan by taking her demons on himself. He then takes an axe and kills two stablemen. Joan is cured while Margareth is abandoned by a squire, her ex-lover, and thus returns to be a nun.

One of Jerzy Kawalerowicz's more overrated films, "Mother Joan of Angels" is a peculiar film that is not quite sure what it wants to be in the end. It intends to be a horror, but its dry scenes are too static and too long to conjure up suspense. It also intends to be a psychological drama, which works better, but also lacks emotional investment. Just like many art-films, this one also falls into the trap of overlong, ponderous monologues by characters talking by the camera, which last for the entire film, instead of incorporating these philosophical topics into the story. One of the more interesting choices was to imply that the "possessions" in the covenant are just suppressed sexuality by the nun, just a subjective mental state, which works as a (vague) criticism of the Catholic church dogmas. Priest Jozef is a multi-layered character who is torn by his religion, and thus somewhat works in the story as a self-reflection or review of handling the unknown and hysteria with panic.

Grade:++

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