Wednesday, May 22, 2019

Game of Thrones (Season 8)

Game of Thrones (Season 8); fantasy series, USA, 2019; D: David Nutter, Miguel Sapochnik, David Benioff, D. B. Weiss, S: Emilia Clarke, Kit Harington, Maisie Williams, Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Jacob Anderson, Sophie Turner, Liam Cunningham, Nathalie Emmanuel, Alfie Allen, Conleth Hill, Rory McCann, Iain Glen

In the North, the unlikely human coalition sticks together to fight the invasion of the Zombie "White Walkers" led by the Night King. The Zombies start the siege of the castle, killing numerous soldiers, and even use one of Daenerys' dragons, now also a Zombie, for the assault. However, just as the Night King approaches Bran, Arya assassinates the former with the Valyrian dagger, and thus the entire "White Walkers" army disintegrates. Daenerys then re-directs her army south to attack Queen Cersei. With her dragon, Daenerys burns and destroys the entire city of King's Landing, killing also every civilian in it. Disgusted by such insanity, Jon Snow kills Daenerys. In the aftermath, Tyrion suggests Bran as the new King, which is accepted by the six kingdoms, except the North, where Sansa declares independence. Jon is banished to live in the North.

The final season of the highly popular nihilistic fantasy series "Game of Thrones" ended not on a high note, but on a highly polarizing effect. The characters are all still here, but their personalities seem to have been lost somewhere in the previous season: congruently, it seems their random, contradictory actions and choices in the story are coming from some pre-designed plot points set up by the writers, and not from a natural unraveling of motivations of their personalities. The first two episodes are talkative and quiet, establishing a good mood of anticipation before the ferocious battle against the Zombie "White Walkers" in episode 8.3, which was done very well. This is then followed by episode 8.5, which is half-excellent, and half-detrimental. Its excellent half shows the battle for King's Landing with a lot of grandeur, style and 'raw' power, featuring epic scenes, which is all very cinematic (the dragon landing on Dubrovnik's landmarks; the Biblical fight between the Hound and Gregor on the stairs...). Its detrimental other half, however, is apparent. For one, Daenerys flies on a dragon to attack the port city, but she defeats the fleet defences way too easy. Considering that the fleet actually killed one of her dragons in the previous episode, 8.4, with a crossbow, one would have expected from her to concoct some sort of a strategy this time around—for instance, maybe to use her dragon to throw giant stones on the fleet from the sky, breaking holes in their ships and thus causing them to sink.

Another major controversy was the switch of her character: Daenerys orders the dragon to raze the entire city to the ground with its fire. Yes, sacking of cities was unfortunately common during the Middle ages, and urbicide and war crimes against civilians on a massive scale are perpetrated even in modern times, for instance in Grozny or Aleppo. However, you don't establish one character to be good for 71 episodes, only to make her suddenly evil in just one episode before the end of the show. It is an undeserved twist. The twist involving Ned Stark at the end of Season 1 was also unexpected and shocking, but consistent, since the Lannisters were established as selfish and treacherous right from the start. It seems Daenerys was arbitrarily made the villain just to be liquidated in the last episode, 8.6, which is the weakest episode of the entire series. This final episode is a joke. For a story that built up such a high impression (at times), such a low, bland, schematic ending is a disappointment. The ending has no point, whereas its resolution is not earned. It is an anticlimax. Jon Snow ending as some sort of a watcher of a ski resort in the North and Arya turning into Christopher Columbus could not please anybody. It simply offers no satisfaction to this vast storyline. Maybe the original author George R.R. Martin is himself guilty for piling up a hundred characters and so many subplots that they simply could not be tied up in a neat bow at the end, but they could have offered at least some explanations of the mystical, especially regarding the origin of the Night King, Quaithe, the Lord of Light, the Three-Eyed Raven... This way, Bran's whole existence in the story has no point, even though it was announced that his visions would be essential. It seems the story itself is surprised at how the characters switch and change from episode to episode, so much, in fact, that in the end this all doesn't fit.

Grade:++

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