Tuesday, October 31, 2017
Thomas in Love
The future. Thomas (32) suffers from agoraphobia — a fear from open spaces — and thus it has been eight years since he left his apartment for the last time. He has sex with a CGI woman through a virtual reality world on a computer, whereas he uses Skype to talk to his mother or a mechanic when he needs a repair. A psychiatrists recommends Thomas to find a girlfriend. Thomas talks with Melodie through the monitor, and has sex with her through Internet, but this relationship falls apart. But then he meets Eva, which causes enough sparks for him to overcome his fear and leave the apartment to meet her in person.
"Thomas in Love" is one of the most unusual movies of the decade: the entire story, set in a near future, is filmed exclusively through the POV perspective of the title hero, and thus the main actor Benoit Verhaert is only seen in the final scene from the back, when he finally leaves the apartment, and the viewers mostly only hear his voice off the screen. This is both legitimate and problematic at the same time: on one hand, it stays true to the theme of alienation and deterioration of social skills in the modern (Internet) world, yet that way Thomas ends up as an un-affirmed character, while all the supporting characters (who show up on the visual telephone on his monitor) end up more effective. The opening 3-minute long sequence is highly interesting and memorable, since it shows a CGI animated space station in which a CGI woman is floating, taking her clothes off until she is naked and has "sex" with Thomas (again, all from his POV) — even though bizarre, it is an erotic and cleverly directed opening act, showing already how Thomas feels more comfortable interacting in a virtual than the real world. While not completely great, it is an interesting psychological drama with good moments (the driving psychiatrist talks with Thomas via the monitor, already showing their inappropriate relationship where private, intimate confessions are treated as fleeting routine) and a very solid theme that is worried about the future of humanity, a one where the whole society might become alienated and only have contact through the Internet, posing the question if real emotions can survive such an artificial state in the long run.