Not even 13 years later, after an accident prevented him to go out to prom night with her, can Ted forget about his dream girl Mary. He thus hires a sleazy private detective, Healy, to find her. Healy finds her in Miami, but since he himself falls in love with Mary, he lies to Ted that she became fat and has four kids. But that doesn't stop Ted and he meets up with Mary again. Since numerous men all tell incredible lies just to be with her, like 'architect' Tucker, Ted has a hard time. But when Ted finds her ex-boyfriend and gives up on her so that she can just have a good life, she decides to be with him.
It's interesting how the Farrelly brothers managed to even in their 3rd film make a cult hit out of gross-out humor, but even their mediocre comedies can sometimes be funnier than some excellent one. Let's get something straight—"There's Something About Mary" is broad and crude, and the first 15 minutes as well as other prolonged sequences of it are close to rubbish that is dangerously close to "Date Movie" at times, but the minute Healy (Matt Dillon) finds the title heroine in Miami and starts observing her behavior, does it become clear that there really is something more about this film that separates it from other cheap comedies—namely, Mary is such a contagiously positive, sweet and dear character that she is irresistibly charming, especially in the scene where she is nice to the mentally handicapped people by giving them hamburgers, giggling so honestly that it melts you away. Mary is probably the best female characters to ever come out of a Farrelly brothers movie. Cameron Diaz plays her wonderfully, and it remained one of her fully fledged roles.
It really is a pity that the story is so crude, which brings it down, and not more smoothly crafted and romantic, yet some of the most hilarious jokes in it really hit you one way or the other—like in the scene (in the extended cut) where Dom (Chris Elliott, who is probably the funniest character in the film) asks Ted: "Do you ever smoke a cigar and imagine it has balls?" Healy's "dialogue wars" with architect Tucker are also a blast ("Where might I have seen your work?" - "You ever been to... Santiago?" - "Twice last year! Which building is yours?"). And here the Farrellys succeed in the impossible—the legendary scene where Mary mistakes sperm on Ted's ear for 'hair gel' and puts it on her hair is a rare kind of almost poetic, sophisticated vulgarity. They always were defenders of outsiders and losers, which is why "Mary" is at its core even an emotional love story, despite the 'rough' and heavy handed details here and there, which is why the film still holds up surprisingly well and enjoys cult status. It's not as funny as their previous two films, "Dumb and Dumber" and "Kingpin", and the handicapped jokes involving Mary's brother Warren can strain the viewers' patience, yet due to its emotional dimension at the end, "Mary" left the illusion of being better than it overall ended up being.
It's interesting how the Farrelly brothers managed to even in their 3rd film make a cult hit out of gross-out humor, but even their mediocre comedies can sometimes be funnier than some excellent one. Let's get something straight—"There's Something About Mary" is broad and crude, and the first 15 minutes as well as other prolonged sequences of it are close to rubbish that is dangerously close to "Date Movie" at times, but the minute Healy (Matt Dillon) finds the title heroine in Miami and starts observing her behavior, does it become clear that there really is something more about this film that separates it from other cheap comedies—namely, Mary is such a contagiously positive, sweet and dear character that she is irresistibly charming, especially in the scene where she is nice to the mentally handicapped people by giving them hamburgers, giggling so honestly that it melts you away. Mary is probably the best female characters to ever come out of a Farrelly brothers movie. Cameron Diaz plays her wonderfully, and it remained one of her fully fledged roles.
It really is a pity that the story is so crude, which brings it down, and not more smoothly crafted and romantic, yet some of the most hilarious jokes in it really hit you one way or the other—like in the scene (in the extended cut) where Dom (Chris Elliott, who is probably the funniest character in the film) asks Ted: "Do you ever smoke a cigar and imagine it has balls?" Healy's "dialogue wars" with architect Tucker are also a blast ("Where might I have seen your work?" - "You ever been to... Santiago?" - "Twice last year! Which building is yours?"). And here the Farrellys succeed in the impossible—the legendary scene where Mary mistakes sperm on Ted's ear for 'hair gel' and puts it on her hair is a rare kind of almost poetic, sophisticated vulgarity. They always were defenders of outsiders and losers, which is why "Mary" is at its core even an emotional love story, despite the 'rough' and heavy handed details here and there, which is why the film still holds up surprisingly well and enjoys cult status. It's not as funny as their previous two films, "Dumb and Dumber" and "Kingpin", and the handicapped jokes involving Mary's brother Warren can strain the viewers' patience, yet due to its emotional dimension at the end, "Mary" left the illusion of being better than it overall ended up being.
Grade:++
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