Thursday, August 17, 2017
Seh-hee and her boyfriend Ji-woo have been in a romantic relationship for two years now. However, she is perplexed at him for staring at other girls from time to time, and thinks he might have gotten bored with her. Without any explanation, Se-hee leaves him and decides to have a plastic surgery that will change her face. 6 months later, Ji-woo meets a woman and starts a relationship with her. But he finds out it is actually Seh-hee with a new face. He then leaves her and undergoes a plastic surgery as well. A lonely Seh-hee tries to find him, but without success. She runs after a man she thinks might be Ji-woo, but the man runs away and gets killed by a truck on the street. Seh-hee then undergoes another plastic surgery.
"Time" is Kim Ki-duk in "light" form, since the director does not raise to the occasion in this edition. Many of Ki-duk's stories can be basically summed up in five pages of a script, yet at occasions, he manages to justify prolonging them to feature length movies thanks to his (often Buddhist inspired) contemplation of spiritual beings living in a harsh, crude material world. Such is not quite the case with this film which, as the title reveals, contemplates about the transience and how a love couple copes with that: the girl thinks she might be getting old for her boyfriend, so she undergoes a facial plastic surgery, signalling a "rebirth" into a new person, in order to "rejuvenate" their relationship. However, since her "rebirth" is fake, her nirvana will also be fake. She expects happiness from things which are impermanent, and therefore cannot attain real happiness. There are some interesting philosophical thoughts presented subtly throughout the story (if her boyfriend changes his face during the surgery, and is a complete stranger afterward, is he basically "dead" anyway?) wrapped up in the interesting final image which speaks about time that "floods" all beings, and the highlight is the Baemikkumi Sculpture Park (including a sculpture of two giant hands with fingers that allow people to climb up on them like stairs), yet the movie seems overlong and overstretched, with too much banal dialogues, all of which start exhausting the viewers concentration, revealing that he should have stopped the story an hour into the film, instead of continuing it artificially for another half an hour of empty walk.